Everything in his playing was admirable: the magnificent light with which he confronted every interpretative detail, his extraordinary technique, evident with the iron solidity of his left hand on the fingerboard, the vast palette of sound with which he painted every sonorous detail, always looking for the maximum expression, the clarity of his legato at the service of melodic perfection, the fluidity and transparency of his counterpoint and his polyphony. In short, it was his interpretative generosity, the characteristic of a man used to giving what he has in an affectionate way, perfect and without reserve.

Juan de Dios García



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