EL LLANTO DE LOS SUEÑOS(2007)
(THE WEEPING OF DREAMS)
Cantiga
Madrugada
Alborada
El Llanto de los Sueños draws on ideas and images
from the poetry of Federico Garcia Lorca. The music suggests
a dream-like nostalgia for the Andalusia of the nineteen-twenties
and early thirties, when Manuel de Falla and Lorca were
revitalising flamenco and local culture. The title is
taken from the first line of Lorca’s poem Las seis
cuerdas (The Six Strings) – ‘La guitarra hace
llorar a los sueños’ (‘The guitar makes
dreams weep’). The music borrows the colours and
harmonies that Debussy and Ravel blended in their Spanish
music – a potent cocktail of Andalusian folk music,
early jazz, 19th-century Romanticism, and French Impressionism.
The sources for the brief song-like prelude, Cantiga,
are Lorca’s Six Galician Poems of 1932 and the medieval
Cantigas de Amigo (love songs written to be sung on the
Pilgrimage to Santiago).
The second movement takes its name from Lorca’s
poem Madrugada (Before Dawn), but evokes nocturnal images
from many of his poems. The opening theme is a gentle
serenade, but as the evening turns to night, the melody
becomes lost in a confusion of moving shadows. Little
by little the dawn bells begin to fracture the darkness
and light gradually dissolves the night. When the serenade
melody returns, it has been transformed; it has lost its
innocence and is now imbued with melancholy. The piece
ends with eight distant tolls of a morning bell.
Alborada is based on Lorca’s poem Baile, which depicts
an old and slightly unhinged Carmen dancing through the
streets of Seville at dawn, frightening the inhabitants.
She is a little deranged and only half-remembers the dances
of her younger days – strains of her Habanera and
Seguidilla struggle to be heard. Carmen’s attention
flits quickly from one memory to another and the character
of the music darts about from mood to mood. She tries
to recall the Seguidilla one last time, but she cannot
form it properly in her mind. She gives up and starts
her final dance, which builds to a frenzied climax.
El Llanto de los Sueños is dedicated to David and
Maria Russell. The first performance was given by David
Russell at Kings Place, London, on 30th October 2008.
The score is published by Cadenza Music www.cadenza-music.com
Stephen Goss © 2008
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